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Fletcher - Nine Years image.jpg

Nine Years by E.S. Fletcher

August 13, 2020

That long ago, nursing pillow hugging my body, a little one suckled in the odd hours of the night. The house silent, partner and pets perhaps dreaming of each other. During those marathon feedings, the early days of this arranged marriage when we were getting used to one another, books kept me company, prevented me drifting into the blackout sleep of the overtired.

Of those middle-of-the-night companions, I most recall Dervla Murphy’s Eight Feet in the Andes. It had been recommended to me by a woman I’d met while traveling in Guatemala—one of those brief, insignificant connections that still leaves its mark.

The book, a journey of the author and her nine-year-old daughter trekking with their mule in the rugged wilds of Peru, made me marvel. How I wanted to hand that confidence, that inner resourcefulness to the silky being curled against my breast. But it had only been a few years before that I’d found anything resembling such moxie, traveling alone to Guatemala where I stayed in comfortable if modest posadas, a plastic card ready to buy my way out of most trouble.

How do you give your child what you, yourself, do not possess?

It had only been a few years prior that a daykeeper read my Mayan horoscope. He looked me in the eye and said, “Don’t be afraid. Fear is a blocking energy.”

With those words, I had broken down in tears. I wanted to tell him that I couldn’t remember a time when I hadn’t felt afraid. Fear resided in every cell of my body. It had nearly kept me from traveling outside the country. Kept me from using my voice. From being seen. It had grown in me like a tumor that needed excision.

Yet fear wasn’t something you could surgically remove in one go—it required a slower process, a shrinking, so as not to damage all that was good. Within that year, I would return to Guatemala to study with the man who’d told me not to be afraid. I would begin my lifelong clearing of fear. I’d released enough of it to risk bringing a new being into this broken world, trusting my own imperfections to be a good-enough mother.

Nine years have passed since those hazy nights in the rocker. Neither my daughter nor I have the mettle to trek through the Andes with little more than our wits. In that, I have spectacularly failed. I have a child afraid of houseflies and new foods, a child who, like her mother, lacks the temperament to sleep in a tent on stony ground. I have my regrets. But what if the books we read heal the inheritance we leave for our children? I hold out hope that something of that story’s boldness leached into her milk dreams.


E.S. Fletcher holds an MFA from Hamline University. She has twice been a nonfiction finalist in The Loft Mentor Series. Her writing has appeared in The Literary Bohemian, Sea Stories, Confrontation and is forthcoming in Leaping Clear. She writes and teaches yoga in Minneapolis-Saint Paul. Twitter: @esfletcher

 

Tags E.S. Fletcher, Nine Years, CNF, Creative Nonfiction
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Interwoven Foliage by Susan Triemert

August 4, 2020

It was the last image of my father, taken at a reptile zoo in the middle of Florida. I continue to search the photograph for whatever I may have missed. As if I’d overlooked a charcoal-coated osprey lurking behind a branch or the jagged shell of a reptile egg rubbing against my father’s shoe. If I look close--squint through the fingerprint-smudges and past the tired edges--I might find what’s not visible to the naked eye. The scaly auburn bark freeing itself from a longleaf pine; or the delicate, lavender blossoms of the beautyberry. And by that shrub, spot the speckled wings of a swallowtail, a native butterfly slurping up its sweet nectar. Further back, notice the interwoven foliage: the firebush and spiderwort and silver buttonwood, tangled, strangling out the light.

I’d once committed to memory what the picture captured: the way my father pitched patches of leaves to the alligators, dark and menacing, like a harbinger of his death. Had memorized the way a bevy of dazzling and vibrant peacocks appear to be closing in on him. Perched precariously, he was, between light and darkness, life and death. Weeks later, he’d be gone. I continue to scan the photograph, expecting new details to emerge. Hunt, too, for what the photo could never reveal: my father’s inner dialogue, what he was most proud of, his biggest fears. Had it been to die? Had it been to leave his family so soon?

Susan Triemert holds an MA in Education and an MFA from Hamline University in St. Paul, MN. She has been published or forthcoming in Colorado Review, Cheat River Review, Crab Orchard Review, A-Minor, Evening Street Review, Pithead Chapel, 101word stories and elsewhere. She lives in St. Paul with her husband, their two sons, and never enough animals. Twitter: @SusanTriemert

Tags Susan Triemert, Interwoven Foliage, CNF, Creative Nonfiction, Memoir
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Forsythia by Kathryn Weidener

July 8, 2020

Forsythia

by Kathryn Weidener

 

Sunshine melted the ice on the bees’ front porch this morning and my beekeeper emailed to ask if I’d seen any activity around the hive since the weather had warmed up. Warmed up? I’ll admit this is a whole lot nicer than it has been, but any bee that ventures forth today will not find anything worth visiting. Little chickadees and sparrows were hopping around in some of the larger clusters of forsythia earlier today. As one landed on a stem, little puffs of snow would fall below and another bird would fly out setting off small avalanches revealing their still brown stems.

Jane clipped forsythia on New Year’s Day to force it to bloom in her dining room for the annual seed ordering party in mid January. Surrounded by glossy seed catalogues eight friends spent a gray Sunday afternoon planning their flowers and produce for the next growing season. Pages turned and decisions made to purchase: beets, broccoli, kohlrabi, lettuce, peas, radish, tomatillos. Why not venture into new crops? Everything looks so hopeful and green. From the windowsill the wanton yellow arms of forsythia called us to believe in spring.

The week before Valentine’s Day I clipped my own forsythia and on Valentine’s Day my husband brought home a lovely bouquet of mixed cut flowers. I deftly split it in two and added color to our bathroom and the kitchen island. The new flowers put the forsythia to shame. It took nearly two weeks before I saw specks of yellow on the brown stems. But they bloomed for my birthday. I posted it on Facebook.

The seeds were delivered to Jane’s house the first week of February. At home snow fell from the sky and ice filled the streets. It took a week before we could gather for seed sorting. We had all saved junk mail envelopes to take our share of the loot. Ever tried to actually separate 300 seeds into 40/40/20% piles? The least experienced gardener got the envelope with the planting directions.

As I got off the plane at LAX I could smell the warmth. Even through the car exhaust the scent of jasmine was in the air. Year round something is always in bloom. My granddaughter, Allison enjoyed discovering different flowers on our walks to and from the park. The next time I will be there at the end of April she will have a new brother.  In New Jersey, the forsythia will be in full bloom.

 

About The Author

Kathryn Weidener is a professional storyteller and has been telling tales all her life. Her publishing credits include arielchart.blogspot.com, US1 Worksheets, Hobby Farm Magazine, and Sandpaper. A BA degree in Communication also led her through careers in social work, accounting and ESOL tutoring.She is the current matriarch of a long lineage of NJ farmers and gardeners. She and her husband lived an 1839 farmhouse on the Raritan River for 18 years and currently reside in Princeton, NJ. http://www.njstorynet.org/kathryn-weidener

 

Tags Forsythia, Kathryn Weidener, CNF, Creative Nonfiction, story, flowers, bloom
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Double Feature

June 23, 2020

by Rob Kaniuk 

“Know what movie that’s from?”

“No, Marty, I don’t. Why don't you use your own words once in a while instead of quoting the Coen brothers all day?”

Then Marty would tell me the movie and say, “you haven't seen that? Are you kidding?”

I’d have to tell him that I did, but don't remember all the quotes. This happened every day at work.

Truth is, I used to get as high as Jesus in Rio and watch movies. When I got my shit together, got clean, I’d revisit them with no idea how I knew the storyline and ending already. I’d call them predictable when my wife asked how I knew the storylines to all these flicks. I was a genius. I could figure out a plot in 10 minutes.

Then Netflix asked me if I wanted to watch Team Foxcatcher again.

I never watched this… why would Netflix pretend I watched The Office dude, Mark Ruffalo and Baby John Cena roll around in singlets. What’s his name?––Tatum––yeah, Channing Tatum. I never seen that. I know I’m about to watch it because I used to work with a guy who was hired by DuPont to dig indiscriminate holes along the perimeter of Foxcatcher Farms, looking for ‘CIA surveillance.’ I remember when the story broke on the news. It was 15 minutes from where I was living. Damn right I’m watching that.

After Baby John Cena and Steve Carrell started doing coke in the helicopter, I realized Netflix wasn’t pretending. I had seen it. I was in the middle of an oxymorphone disassociation when I saw it last. Delusional, hallucinating. On the edge of overdose. Everything feels like a dream when you take enough morphine. Not at all like the warm blanket of oxys or percs, which is the high I was chasing (with the wrong derivative).

The realization ruined the movie all over again, because now I was clean but all I could do is go back in my mind and count the other movies which I had now seen twice. Two completely different experiences, of course. Some of them I remember seeing high but couldn't tell you a goddamn thing about. Like Scarface. I’d seen that flick 20 or 30 times. Every time with an eight ball of coke. I know all the stupid clichés and that Tony dies, but I didn't know if I actually liked it. I watched it again. Besides the first half hour of the movie (bearable, at best), where Tony gets to Miami and starts making moves, Scarface sucks. I got clean and realized not only Scarface sucks, but Pacino sucks. Whoo-wah! That’s right. I wouldn’t cast Pacino in a biopic about Pacino. He’s a Whoo-wah! actor, at best.

When I watch a new movie now, I fall asleep the first time and try to guess where I left off. I usually figure out after watching ten minutes at a time before I fall asleep again. I have wasted a lot of money on 48 hour rentals.

Now when Marty quotes a movie and asks the same question he always does, I respond, “Yeah, Marty, but I was either as high as a giraffe’s asshole, or I fell asleep.”

About The Author

Rob Kaniuk is a union carpenter who loves spending time telling stories to his niece and nephew. He is also Creative Nonfiction Editor for the Schuylkill Valley Journal.

Tags Rob Kaniuk, Double Feature, CNF, Creative Nonfiction, Pacino, Scarface, Coen Bros
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